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Excerpt from my work created for the very first official draping method published by the ESMOD International group, in which I participated as a pattern maker specializing in creative draping.

I co-authored this method by contributing my technical expertise, my approach to volume, my practice of draping applied to contemporary creation, and my knowledge of fashion history.
All the pieces shown in this project draping studies, volumes, prototypes and creative interpretations are exclusive designs created specifically for this publication and freely inspired by the ESMOD heritage archives.

The 3D illustrations, also produced by me, provide a realistic visualization of the finished results that can be achieved by applying the principles and drape variations presented in the method. They reveal the potential of shapes, volumes and constructions by projecting them into a fully realized silhouette.

This work reflects my threefold approach: technical mastery of draping, a creative reading of volume, and an in-depth understanding of fashion history brought together to enrich a reference tool for both industry professionals and fashion design students.

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